SIMONA ANDREOLETTI Nominee Fine Arts

In einem weißen Ausstellungsraum hängen mehrere Stoffbahnen mit linearen Zeichnungen. Links sind zwei blaue Stoffe mit weißen Linien an einer Metallstange befestigt. An der mittleren Wand hängen vier weiße Stoffbahnen übereinander, jeweils mit feinen, abs

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Text me when you get home, 2024, Installation view at Palazzo Tadini Botti, BergamoCourtesy the artist and Ribot Gallery
© Photo: Riccardo Rudi

In einem historischen Raum mit aufwendig bemalten Wänden und Decken sind mehrere Textilobjekte an Metallgestellen aufgehängt. Die Textilien zeigen grafische Muster und große, deutlich lesbare Schriftzüge in verschiedenen Farben. Der Boden besteht aus rose

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If you feel me, I am you, 2026, Installation view of the solo show at Ribot Gallery, MilanCourtesy the artist and Ribot Gallery
© Photo: Mattia Mognetti

Mehrere große Monitore sind zu einer rechteckigen Videowand zusammengesetzt und zeigen eine Nahaufnahme von Regentropfen auf einer Fensterscheibe mit unscharfem Hintergrund. Die Bildschirme leuchten in kühlen Farbtönen und werfen ein diffuses Licht an die

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Simona Andrioletti’s artistic practice reflects on the condition of structural inequality experienced by the FLINTA* community, as well as on moments of solidarity that enable communities to support one another and build resilient networks. Drawing on a feminist perspective, the artist investigates the complex dynamics of systemic violence, exploring where it originates, as well as the psychological defense and survival mechanisms it triggers. Through immersive installations that incorporate sculptural texts, songs, videos, and performances, she engages the viewer in a physical and multisensory experience that fosters a sense of community among individuals who share similar vulnerabilities, struggles, and experiences.

Simona Andrioletti lives and works in Munich. She studied at the Accademia di Belle Arti di Brera in Milan, at the École Nationale Supérieure des Beaux-Arts in Lyon, as well as at the Academy of Fine Arts in Munich, where in 2022 she received a diploma in the class of Olaf Nicolai and was awarded the Academy Prize from the Scholarship Fund. Her works have been presented at international institutions and galleries, including Kunsthalle Mannheim (Mannheim), Kunstverein München e.V. (Munich), Museum Villa Stuck (Munich), DG Kunstraum (Munich), Museo Novecento (Florenz), Spazju Kreattiv (Valletta), EIGEN+ART Lab (Berlin), Galerie im Saalbau (Berlin), Lothringer13 (Munich), Gian Marco Casini Gallery (Livorno), Ribot Gallery (Milan), Nir Altman Gallery (Munich), MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, MACRO – Museo d’Arte Contemporanea di Roma, Temple Bar Gallery (Dublin) as well as /SAC Malmaison & /SAC Berthelot (Bucharest). Recent awards include the USA-Stipend (2026), a research stipend of the Bavarian State Ministry for Science and Art for a six-month research residency in New York; the Atelierprize (2025); the Funding as part of the programme to promote equal opportunities for women in research and teaching; funding from the Erwin and Gisela von Steiner Foundation (2025) and the 15th Talent Prize awarded by the Rome-based art magazine Inside Art (2021).